The Changing World of Visual Arts Class 8 History Chapter 10 Extra Questions and Answers Social Science CBSE Pdf free download are part of Extra Questions for Class 8 Social Science. Here we have given NCERT Extra Questions for Class 8 Social Science SST History Chapter 10 The Changing World of Visual Arts.
Class 8 History Chapter 10 Extra Questions and Answers The Changing World of Visual Arts
The Changing World of Visual Arts Class 8 Extra Questions and Answer History Chapter 10 Very Short Answers Type
What was the main focus of European artists about the British?
The main focus of European artists about the British was to show the superiority of the British.
What is meant by portraits?
The life size images that look lifelike and real.
Define the term convention.
Convention is an accepted norm or style.
Who painted the potrait of Nawab Muhammad Ali Khan of Arcot?
It was painted by George Willison.
When did Tipu Sultan of Mysore finally get defeated?
He was finally defeated in 1799.
What does the imperial history paintings sought to create?
It sought to create a public memory of imperial triumphs.
What do you understand by the term Mural?
Mural is a wall painting done by the local artists.
What was the aftermath of establishment of the British power?
With the establishment of the British power many of the local courts lost their influence and wealth.
By whom was the Damayanthi was painted?
By Raja Ravi Varma.
Who was the nephew of Rabindranath Tagore?
What is Mural?
Mural is a wall painting.
Where is Clive street located?
It is located in Calcutta.
From where does Mohammad Ali Khan belongs to?
He belongs to Arcot.
Where does Tipu Sultan ruled?
By whom was the storming of seringpatnam painted?
By Rober Kerr Porter.
Who was Samuel Bourne.
He was a photographer.
When was Tipu Sultan defeated?
He was defeated in 1799.
What is meant by life study?
It is the study of human figure from living models where pose for the artists.
The Changing World of Visual Arts Class 8 Extra Questions and Answer History Chapter 10 Short Answers Type
What did the British want from images made by the local painters?
The British wanted the images through which they could understand India, remember their life in India, and depict India to the western world.
Define the term perspective and how it was used by the local miniature artists at Murshidabad. Answer:
Perspective: The way that objects appear smaller when they are further away and the way parallel lines appear to meet each other at a point in the distance. Local miniature artists use perspective by using light and shades to make the figures look life like and real.
How were the cultural traditions resisted by Tipu Sultan?
Tipu not only fought British on the battlefield but also resisted the cultural tradition by continuing to encourage the local traditions, he had his walls of the palace at Seringapatam covered with mural paintings done by local artists.
Briefly explain about the incidence after the Battle of Plassey.
The British defeated Sirajuddaulah in the famous battle of Plassey and after his defeat Mir Jafar was installed as the nawab of Murshidabad. It was the victory won through the conspiracy and traitor Mir Jafar was awarded the title of Nawab.
Differentiate between colonial portraits and existing Indian style of painting.
The existing Indian culture has the style and tradition of painting portraits in miniature.
But colonial portraits were life-size images that looked lifelike and real.
The Changing World of Visual Arts Class 8 Extra Questions and Answer History Chapter 10 Long Answers Type
What happened during the Battle of Plassey? How was the defeat of Sirajuddaulah shown in history painting produced hy Francis Hayman?
The Battle of Plassey saw the defeat of Sirajuddaulah by the British. After the defeat of Sirajuddaulah in the Battle of Plassey the British installed Mir Jafar as the Nawab of Murshidabad. It was a victory won through conspiracy, and the traitor Mir Jafar was awarded the title of Nawab.
In the painting oy Francis Hayman in 1762 which was placed on public display in the Vauxhall Gardens in London, this act of aggression and conquest is not depicted. The picture shows Lord Clive being welcomed by Mir Jafar and his troops after the Battle of Plassey.
Who was Raja Ravi Varma? How did Ravi Varma’s mythological painting become the rage among Indian princes and art collectors?
Raja Ravi Varma was one of the 1st artists who tried to create a style that was both modern and national. Ravi Varma belonged to the family of the Maharajas of Travancore in Kerala, and he was addressed as Raja. He mastered the western art of oil painting and realistic life study, but painted themes from Indian mythology.
He dramatised on canvas, scene after scene from the Ramayana and the Mahabharta, drawing on the theatrical performance of mythological stories that he witnessed during his tour of the Bombay Presidency.
From 1880’s Ravi Varma’s mythological paintings became the rage among Indian princes and art collectors, who filled their palace galleries with his works.
Picture Based Questions Class 8 History Chapter 10 The Changing World of Visual Arts
Look at the picture given below and answer the following questions:
1. Who was the painter of the following painting?
2. What does the pictures describes?
3. whom does the portrait belongs to.
- Raja Ravi Varma.
- It describes about the Clive street in Calcutta draw by Thomas and William Daniell, 1786.
- Muhammad Ali Khan of Arcot.